They are dreamers...
and we will help their dreams and music to live on forever digitally.
Betty Lou Blaze is a rockabilly firecracker whose sly, double-entendre swagger feels lifted from a late-night jukebox spin. Her breakout single, cut in the 1970s, crackles with raw tape warmth, slap-back echo, and a voice that purrs and bites in equal measure. Equal parts pin-up charm and hot-rod grit, Betty Lou Blaze keeps one foot in the past and one heel on the gas.
Cold Front emerged from the Pacific Northwest with a bruised, no-frills sound built on heavy riffs, gallows humor, and a sharp eye for everyday excess. Their Thanksgiving single “Eat Myself to Death” turns a holiday tradition into a darkly funny self-reckoning, pairing sludgy guitars with lyrics about overindulgence, guilt, and numb routine. It’s equal parts riff-driven catharsis and seasonal satire—comfort food with teeth.
Chains of Amber wear their Seattle lineage openly, channeling the weight and harmony-soaked gloom of early-’90s heavy grunge into something raw and unpolished. Their Christmas EP Black Yule drags the season through mud and shadow, replacing cheer with slow, crushing riffs and haunted melodies. It’s a holiday record for flickering lights, long nights, and the kind of warmth that comes from distortion rather than celebration.
East Coast jazz-rap at its finest. Blending dusty boom-bap beats, smoky horn samples, and sharp, thoughtful lyricism, 5 Borough Flow Ensemble captures the sound of New York streets with a cinematic, late-night vibe. From Brooklyn to the Bronx, their music is equal parts grit, groove, and storytelling—perfect for reflecting on life, love, and the city that never sleeps. This release captures some things they want to clean the slate for in the New Year.
Gravy Riot is a punk rock supergroup featuring some of the most iconic voices of the 1980s punk scene, reunited for a cause in 2025. Their explosive charity singles, “Helium Dreams” and “Gordon Ramsey’s Coming for Thanksgiving,” deliver the raw energy, biting humor, and rebellious spirit fans have loved for decades. With chaotic riffs, irreverent lyrics, and that unmistakable punk attitude, Gravy Riot proves that some flames never die—they just get louder.
Kentucky-born folksinger Steve “Rusty” Hale brings his weathered voice and storytelling guitar to the modern world with his new single, “Alice’s Granddaughter’s Restaurant.” The song riffs on the chaos of contemporary Thanksgiving—meals ordered through apps, family glued to their phones, and holiday traditions lost in the digital haze—while playfully nodding to the spirit of the Guthrie original. Rusty’s blend of old-time yarns and modern satire makes the familiar strange and unforgettable.
Boston-born, Irish-blooded, and 90s through and through. Harp and Hammer brought the streets together with hard-hitting hip-hop beats, sharp rhymes, and unmistakable Celtic flair. Proud of their heritage, they mixed traditional Irish motifs with classic East Coast boom-bap, giving every track a rollicking, celebratory edge. Their single “Everyday Should Be St. Patty’s Day” fuses punchy verses with infectious fiddle riffs and bagpipe loops, making every listen feel like a street party in the heart of Boston’s Irish neighborhoods.
Unearthed from dusty crates and forgotten corners of a Delta farmhouse, Ezekiel “Hound Bone” Harper’s Lost Christmas Sessions crackle with the kind of raw, time-worn blues that could only come from a lifetime on the back roads. The A-side, "Reeling in the Christmas Season," drifts through winter nights with mournful slide guitar and whispered tales of yuletides past, recalling both the joy and the loneliness of a Mississippi December. On the flip, "Trippin’ on Wires" wrestles with the modern perils of hanging Christmas lights, tangled bulbs and creaky ladders turned into rhythm and lament. These recordings, lost for decades, carry the warmth of pine smoke, the ache of old songs, and the humor of holiday trials seen through the eyes of a Delta bluesman who’s been telling stories longer than anyone remembers.
Honey and Smoke — the sultry 70s R&B duo that married smooth grooves with irresistible charm — are back on the imaginary scene with their tongue-in-cheek concept single Recipes for Love. Channeling the deep, velvety tones of Barry White, Denise “Honey” Watkins and Leon “Smoke” Carter serve up musical aphrodisiacs in equal measure, blending romance, innuendo, and irresistible funk. Their A-side, Swim in My Biscuits, teases with cheeky culinary double entendres, while the B-side, Beef Stroganoff, keeps the kitchen heat turned up. With harmonies that melt like chocolate and rhythms that sizzle like a hot skillet, Honey and Smoke prove that love — and appetite — are best enjoyed with a little spice.
Inja is a vocalist whose haunting, untamed talent never quite reached the mainstream heights of her counterpart, Enya, but whose work resonates with those seeking something darker and more intense. Her 1993 single "Orinoco Crash" featuring the enigmatic project Inigma MMXXV, is anything but relaxing — a swirling, cinematic journey that challenges the listener at every turn. Inigma MMXXV’s "Liberia Me" further explores the struggle between good and bad decisions, with lyrics that wage an emotional battle as epic as the soundscapes themselves. Together, Inja and Inigma MMXXV craft music that is immersive, provocative, and unforgettable, proving that influence isn’t always measured in chart success.
Kimmi brings a 2000s pop sensibility to the modern city soundscape, blending catchy hooks with sharp, relatable storytelling. Her single Bear-ista Cup captures the frustrating hunt for a coveted Starbucks cup, turning a seemingly mundane quest into a pop anthem of desire, obsession, and small-city triumphs. On the B-side, Starbucks Lament, Kimmi reflects on the ways the beloved coffee brand is changing, mixing humor and nostalgia with her signature upbeat energy. Hailing from New York City, Kimmi’s music is infused with urban charm, playful wit, and a knack for turning everyday moments into songs you can’t help but sing along to.
itty Monroe & The Purr Tones bring 1950s glamour and sly sophistication to every note. Best known for their debut single “Sugar in My Coffee” / “Two Perfect Pearls,” Kitty’s sultry, playful voice glides over lush arrangements from her backing orchestra, the Purr Tones. With lyrics full of innuendo and charm, the duo captures the spirit of smoky late-night lounges, where elegance meets a wink and a smile. From slow, sultry torch songs to breezy swing numbers, Kitty Monroe & The Purr Tones deliver timeless style with just the right amount of mischief.
Lilith & The Lanterns emerged from the swinging 70s garage-mod scene with a style that’s equal parts spooky and stylish. Their standout single pairs the playful haunt of “999 Happy Haunts”, a twisted love letter to the Walt Disney World Haunted Mansion, with “Goth Girls Rule”, an ode to Wednesday Addams, Elvira, and all things delightfully dark. Fronted by the enigmatic Lilith, backed by the sharp riffs of Rex “Flicker” Dalton, and produced by the midnight-studio wizard Gideon Harrow, the band captures a perfect mix of mod energy, gothic flair, and tongue-in-cheek charm that’s impossible to resist.
